From the very beginning, I've been fascinated by how creativity and technology can shape human experience. As a child, I sketched endlessly and even dreamed of becoming a Disney animator. That dream shifted over time, but it planted the seed for the path I walk today.
The Foundation
After SHS, I joined AKT Multimedia as a graphic designer, my first real canvas. That experience rekindled my love for art and gave me practical exposure to visual communication. Later at KNUST, I studied Communication Design, where I expected to focus on traditional graphics but discovered something larger: design could be more than visuals. It could be a bridge between art, storytelling, and technology.
The Turning Point
The deeper I got into digital work, the more I noticed something missing. Working on projects about Ghanaian culture meant constantly adapting tools that weren't built with our visual language in mind. Every asset library I browsed, every tutorial I watched, every design system I studied reflected someone else's assumptions. That realization reshaped my direction. I wasn't just learning tools anymore; I was preparing to build the missing pieces.
Building Expertise
Guided by this vision, I immersed myself in technical artistry. I mastered 2D and 3D animation, look development, photogrammetry, digital doubles, UI/UX, and immersive design. Each new skill didn't just add to my toolkit, it transformed me from a graphic designer into a technical creative, capable of bridging creativity and technology to solve challenges most people don't see.
Purpose
Today, my work extends beyond personal growth. Whether I'm developing look systems that render African skin tones accurately, creating cultural assets that don't exist in standard libraries, or sharing knowledge with others, I'm building tools that help African stories compete globally. From drawing Disney characters as a child to shaping digital worlds as an artist and technologist, my journey continues to unfold, and I'm only just getting started.
Focused on the future of digital storytelling